Apr 22, 2011


Fight club: Life after the Jeremy Kyle treatment

Troubled families come together and fight on the Jeremy Kyle Show. It has been described as 'human bear-baiting', but the programme itself makes great claims about the good it does. So what happens when the cameras stop rolling?
Jeremy Kyle
He's only trying to help... Photograph: ITV/Rex Features
Even if you have had a job, full-time and relentless, since 4 July 2005, you will be familiar with the Jeremy Kyle show. Apparently conceived in the image of the Jerry Springer show, the programme gets together a troubled family to have a fight on air. Occasionally, the conflict will be rooted in some outrageous Dickensian injustice, such as, "My dad ran off with my fiancee" or, "My brother stole my mother's life savings while she was cooking his tea." Very occasionally, it will be a tear-jerking story of child illness or similar, in which the sorrow is its own titillation and none of the guests is required to be a monster or get booed by the audience.
Generally, though, the argument will centre on a sad story about elemental human weakness: domestic violence, infidelity, hooliganism, antisocial behaviour, bad or nonexistent parenting. Underneath all that, almost always, there's drug abuse, alcoholism or mental illness, often all three, in what sociologists call "constellated disadvantage". There's always a villain and, while I haven't watched every episode, I think it's safe to say the people on it rarely walk off stage reconciled.
It has had its critics: in 2007, a Manchester district judge, Alan Berg, was required to pass sentence on a man who had head-butted his love rival on the show. He called the Jeremy Kyle experience "human bear-baiting" and continued, "These self-righteous individuals should be in the dock with you. They pretend there is some kind of virtue in putting out a show like this."
That pretence of virtue is almost worse than the programme itself: the show's psychologist, as well as various producers, make large claims about the good they do. They offer counselling, or they get people into rehab or, with their trusty lie detectors and DNA tests, they sow the seed of truth that blossoms into a happy, if complicated, family unit. Kyle – who started his career as a salesman, moved to local radio, then on to present Jezza's Confessions for Century FM, which seems to be where he got his appetite for shouting at people with problems – says he "believes the only way to solve a problem is through honesty and openness". He himself is not free from human weakness; he was addicted to gambling, which led to the disintegration of a very short marriage in 1990. His former wife said he stole thousands from her in the service of his habit, which he has now kicked. He says he has OCD and licks his mobile phone to see if it's clean, but that's by the by.
On the show's website are heartwarming stories of people who have rebuilt their lives thanks to Kyle's trusty sword of truth and extravagant aftercare. Even though it is impossible to imagine a family whose life would be improved by an inaccurate lie detector test result or even an accurate DNA test, followed by a load of shouting, it is possible, from a distance, to believe them. Maybe Solomons come in all shapes and sizes; maybe a righteous arbitrator, publicly declaiming who's good and who's bad, is just what a dysfunctional family needs to make it start functioning again.
With such a spirit of open-mindedness, I contacted the press office, to see if they could put me in touch with a couple of former guests. We spoke at length about the idea, and then silence – a total stonewall. That's pretty unusual: even shows that think of themselves as quite low-rent, such as Deal Or No Deal, still like attention. So I think these people know they're not doing a huge amount of good. But I don't think they realise how much harm they can do.
Chris LyonsChris Lyons with his mother, Andi. Photograph: Thom Atkinson
Chris Lyons was 17 when he went on Jeremy Kyle, with Andi, his mother. They were living on the Isle of Wight; she was running a hotel with her now ex-husband and Chris was running amok, abusing drugs and solvents and customers. He applied to go on Trisha Goddard's show, which was soft and supportive and made apparently genuine offers of rehab. When Kyle replaced her, he took over her files, so producers contacted Andi and Chris and brought them to London (this was before the show moved to Manchester). They were put up in a hotel. Andi remembers: "When we got there, they kept calling both of us. Chris was up until two or three o'clock in the morning, talking to them."
I heard this from everyone I spoke to, bar one: they keep the families technically together, but functionally apart, with a researcher assigned to each, seemingly with the brief of winding them up (they weren't talking to them about current affairs, put it that way).
The next day, they were taken to the studio and put in separate rooms, where they say the baiting continued until it was time to go on. Chris says, "They kept coming in and saying, 'Your mum said this about you. Your mum said you were a dirty crackhead.' Some of the stuff they told me, I thought, 'My mum doesn't even talk like that, my mum would never say that.'"
I know this is obvious, and we probably realise this is how it works, but Jeremy Kyle has created the cultural spectre of this feral underclass, none of whom has the smallest amount of emotional restraint. That trope wouldn't exist without this programme. And I can't help wondering whatNewsnight would look like if all the guests were knackered from the night before and had spent hours in a green room, listening to researchers whispering, "You'll never guess what AC Grayling said about your book"; "David Aaronovitch called you a fat wanker."
For the show's part, a spokesperson says, "The Jeremy Kyle show has been on air for six years and is incredibly proud of its record in helping thousands of people across the country via a properly structured and resourced system of help and care for a wide range of issues and problems."‬
Anyway, Kyle seemed to decide, as the show started, that Chris's drug problems were actually Andi's fault. "Because I'd been married three times, he said, 'Any child would have problems after going through three marriages with you,'" she says. "But their dad died. He was making it sound like it was my fault their dad died."
Chris interjects: "I actually said at one point, 'This is really unfair on my mum.' And the audience clapped, they agreed." That bit was lost in the edit. So, they had the confrontation, Chris had a drug test, which came back negative ("He said, 'You're clear. Well done for that.' But I'd been on pills and coke two nights before, so I thought, your test's wrong"), Andi got shouted at, and afterwards there was half an hour of counselling.
One other thing: during the show, Kyle said to Chris, "Have you got a job?" "And I went, 'No.' He said, 'Do you want a job?' And I was like, 'Yeah, of course I want a job.' He said, 'Would you like a job working with me?' And I said, 'Yeah, of course.' Hang on, hear this: when they was filming it, he talked to someone on his earpiece and said, 'OK, we can do that, yes.' Then turned back to me and told me I'd be given a job as a runner."
Andi claims they received a letter two weeks later, saying the job was of course voluntary, no expenses would be paid, and "I've got to pay for somewhere for him to stay while he's up there," she says. "That's his idea of a job," Chris says, smiling. I find it hard to believe these two ever passed muster as the embodiment of broken Britain. They seem very understanding of, and kind to, one another. But Chris was taking a lot of solvents at the time.
They returned to the Isle of Wight. Andi was a bit embarrassed, but relatively unaffected, by the broadcast, but it was hard on Chris. "It ruined my life. All of a sudden, I wasn't Chris Lyons any more. I was just that guy off the Jeremy Kyle show." The producers asked him back for two more episodes, which he agreed to – one about problem teens, one on teen boot camp – though they never did get him any rehab, or give him a job. He did get half a day's unpaid work experience at a kennels.
Finally, Andi kicked Chris out, her marriage disintegrated and she moved to Croydon. Chris stayed on in the Isle of Wight, got off the drugs on his own, did some voluntary youth work and is now, at 22, living in Croydon and wondering what to do. "To tell you the truth, I haven't really got any ambitions," he says. "I wanted to be a soldier. But my lungs are completely shot from the time I was doing cans [solvents]."
Anthony GhoshAnthony Ghosh with his mother, Pat. Photograph: Thom Atkinson
On the same show were Anthony Ghosh and his mother, Pat. They were, between them, a horse of a very different colour: Anthony was a "Bad Boy" (that was the show's title), but his misdemeanours were all sexual. He visited prostitutes, went to swingers' parties, paraded alarming sexual availability (at one point he was handing out business cards to the audience, I think with the basic message that he would sleep with any of them as long as they were female). You name it, as long as it wasn't regular sex with a long-term girlfriend, then he had either done it or claimed he had.
Ghosh, who also likes to be called DJ Talent, is perhaps an even more poignant example of the baffling complexity of most human conflict. Like Chris, he'd applied to go on Trisha, but not for help – he wanted to be famous. He's been on loads of reality TV shows; indeed, he is much better known for his appearance on Britain's Got Talent than he is for the Jeremy Kyle show (he did a rap that goes: "I say Britain/You say Talent/Britain's got talent!/It's the DJ Talent!"). Pat agreed to go on with him because, she says, "It's nothing to be proud of, sleeping with prostitutes. I found it very upsetting. I was hoping it would make him change." So they had pretty different aims from the start. Anthony chips in: "They played me off against my mother, and separated us when we got to the studio. They kept saying, 'Make a hard-hitting show and you could be a superstar. This could be your big break. But you've got to make television.'" Which he dutifully did.
"The way I remembered it, it was fun," he says. "But the way they cut it, it was very dark. It made me look like a bad person. And afterwards, watching it... It was all these strangers, angry strangers." Then his mood lifts a bit: "But I got my image exposed there and I got known in the media for having gold teeth and gold jewellery."
Pat carries on, tentatively: "Afterwards, they were hinting to me that they thought Anthony had manic depression, because of the way he'd been on the show. I didn't want to say anything to them, but I don't lie to people." Pat looks at Anthony, as if they've had a conversation, but she's not sure what they've decided; then looks at me, as if there's something she doesn't want to say but I should be able to guess. "I didn't say to them, he has bipolar. But I said, 'He is having treatment for something like that.'" Anthony takes up this story. "They'd said before we filmed it, 'Do you have any health problems?' and I said, 'No' because I didn't want it to count against me and I didn't want people in show business to discriminate against me. So after they'd spoken to my mum, they said, 'If we'd known, we wouldn't have had you on the show.'" But seeing the show aired two months later was much more of a shock than Anthony had been expecting. "I felt like everybody was looking at me wherever I went. So I just stayed in for a couple of weeks. And then I went to Eastbourne, because I've got a holiday house there. People were giving me dirty looks on the bus. I couldn't walk through the streets in Hastings. I felt attacked."
This hasn't dented his long-term goal of getting famous, though. In fact, he approached the show, wanting to go on again. I didn't really get to the bottom of the rationale behind this, but they turned him down for a second appearance, and he told them he felt they'd used him. A producer replied: "You've just had a quarter of a million pounds' worth of television made about your life." (I've been trying to work out how on earth it would cost a quarter of a million pounds to make a Jeremy Kyle programme for which none of the guests get paid, and I can only assume the producer must have been factoring in Kyle's own salary. The brass neck of these people!)
Anyway, Ghosh nurses certain sour feelings about Jeremy Kyle – he wrote a rap about it, in fact, sampling Kyle on the show, shouting at him. "I didn't sell the record. I just sampled him to make a fool out of him. And I did make a fool out of him." Finally, though, he feels that it got him where he wanted to be – "I got let down by Piers Morgan as well, he promised me a record deal. I think they're all out for their own egos, to be honest. But once you've achieved a Wikipedia page, you've got interviews on big programmes... My name wouldn't be out there if it wasn't for programmes like that."
He pauses. "It's taken me a long time to come out about my bipolar. I kept it a dark secret. But it educates people." He pauses again. "Do you think people will discriminate against me, because I've come out about it?" I honestly don't know, but I say, "No, I'm sure they wouldn't." "They wouldn't, would they? You'd have Stephen Fry on your programme."
Douglas NaylorDouglas Naylor. Photograph: Thom Atkinson
Douglas Naylor was nothing like so vulnerable when he appeared on the show, to be the voice of hooliganism. He was in his 30s, he'd co-written a book and was in stable, if very specialised, work.
Naylor is a handsome guy, though there's something up with his face that I can't put my finger on. I meet him at a pub opposite Sheffield station. His daughter is with him, but she sits away from us, at the bar, with a friend. She looks sleek, young and successful, and I can tell she really wishes her dad wasn't doing this interview. She's eyeing him as if he's someone who habitually does a regrettable thing.
Naylor was invited on to the Jeremy Kyle show in 2006, pitched against the parents of a Leeds fan who had been killed in Istanbul in 2000. He says he didn't know that before he went on. He thought he was being invited on as co-author of Flying With The Owls: Crime Squad, a book about football violence, written from the point of view that it is a legitimate, fun hobby (it's full of lines such as: "A big scar-faced lad came my way. I caught him a nice one on the jaw, but was suddenly jumped on from behind", interspersed with a trainspottery precision: "Over the years I visited most of the bigger London grounds. At the time of writing, though, I have not been to Brentford").
Anyway, look, he's no angel. "Well, basically, I am a thug," he says. "But within reason. I would never attack someone unreasonably. My football thing was proper organised stuff with gangs. That was what I was brought up with, since I were a little lad. [Kyle] was trying to portray me as a football hooligan; I have been out to matches and I have had trouble with people, but I've never been one to bully anybody. I'll have a fight with like-minded souls."
So the show was vexing – but its impact, of course, came later. "They said I was a football hooligan, going to Germany [for the World Cup] to cause trouble. It was the worst impression they could possibly have given. Weeks after the show, I was going to Germany, I'd got flights, I'd got car hire... I got deported. CID followed me all the way to Dusseldorf, about 20 of them, some with guns. I got to passport control and they didn't even look at my passporit, they just handed it straight to the police and I were locked up, I were gone." I suppose that's life when you're on the record as a football hooligan. He was known to the police already, before the show. "But only to Sheffield police."
Following the programme, he was issued a banning order from Sheffield Wednesday's ground, with a three-mile exclusion zone. He says the police actually tried to issue his girlfriend with the same order, but that turned out to be unviable, because she hadn't done anything. And also she worked there. Naylor was fired from his job, as a sort of freestyling tree surgeon (I'm not sure what the technical term is, but he would undertake dangerous operations, shifting branches that had fallen on to power lines, with minimal precaution). "They wouldn't say they'd fired me for going on the show. But they fired me for one mistake. I made one mistake, after a whole career in it."
I'd say he has quite a high-risk personality, but he's not an obvious candidate for the vaunted Kyle aftercare, even if it did ever materialise.
Did they offer him counselling? "Well, a criminologist spoke to me afterwards. But he wanted me to come and do a lecture at his university [Leicester]. So I ended up on the university lecture circuit for a bit, describing the hooligan mindset to criminology and psychology students."
So it wasn't all bad? "No. Not until I was nearly killed." The hooligan dynamic here is interesting: there was a feeling among Sheffield United fans that Naylor had overstated his role in the Wednesday Firm and was actually a "nondescript" (this sounds mild, but is a very profound insult in the culture of fighting for fun). "Before I knew what was happening, I were the most famous thug in England. There are only certain places I can go without getting into a fight."
This notoriety, coupled with bad luck, landed him in a horrific fight: just him against a pub full of Sheffield United fans. Someone hit him with a lump hammer. When he arrived at hospital, he was technically dead and had to be resuscitated twice. One of his eyes is lower than the other now, but it's quite subtle. You'd only know if he told you.
He doesn't bear any ill will towards the Jeremy Kyle show, even if he is quite dismissive of the man himself. "It were a bad time in my life as well. I'd just split up with my wife, who I'd been married to for 17 years. I was more forward than I would have been. And nothing that happened was as bad as getting a divorce."
Robert DunnillRobert Dunnill. Photograph: Thom Atkinson
Robert Dunnill is the great success story of the Jeremy Kyle experience. He lives in Scarborough, looks both 10 years younger and older than he actually is (42), and his spick-and-span house is papered with photos of the Russian woman he met on the internet, whom he intends to marry. When I arrive, he has a video of the show he appeared on, back in 2005, waiting to go into the machine. We stand in his kitchen, watching it together. He seems to me to be almost paralysed with nerves on screen: pink, tongue-tied, exquisitely uncomfortable. But when I look at him standing beside me, I can see he's really pleased with the way it played out for him.
This is what happened: he met a girl, Sammy, on the seafront, took her home, and soon they were engaged. Opinion differs on the order of things, but they split up and she started going out with his dad, Frank. Robert's mother had died not very long before. After father and almost-daughter-in-law fell in love, they sold their story to various papers. One particular article, in Love It, was the final insult. "That were disgusting. I don't mind being famous, but when you look in a magazine and they're discussing being in bed, and how me dad were better than me. That's the part I didn't like. They were showing them having pillow fights."
Robert heard they'd made £1,000 from that one article. Quite fast, Frank and Sammy married and, on their wedding day, they told Robert that Sammy was pregnant. He was distraught. "It made it worse because I wanted kids with her. If me mam were here now, God help me dad."
At this point, he applied to go on the Jeremy Kyle show. And finally, he felt vindicated. It wasn't as if the public scrutiny was new, after all the media appearances his father and ex had made. The difference with the Jeremy Kyle show was that it told the world who was wrong and who was right. "They give me a lot of backing. And Jeremy Kyle himself was fantastic. At the end of the show, he shook my hand and told me, 'You did well there.' The crowd were booing her and booing him." During the programme, Jeremy Kyle delivers his trademark tirade at Frank, calling him the lowest of the low. You have to admit that he has a point.
Robert says the show gave him his dignity back; it was a huge relief, it took the stress out of the situation, it meant that people at work gave him more support, and it's been repeated 12 times now, so the world keeps on seeing how wronged he's been. "Before that, all me family were half with me and half with them. Because of Jeremy Kyle, they understood where I was coming from."
So that's how it works when it works. Some people need the validation of pure victimhood, and they deserve it – and then they're happy when they get it.
Terry CarvellTerry Carvell. Photograph: Thom Atkinson
Terry Carvell's story is a lot more complicated. I heard only his account of events, but he was an alcoholic and a drug addict for 14 years, and spent those years in and out of prison, for violence and domestic violence. He and his wife, Allana, had a son who, he says, was taken into care because of the family's situation. Later, when Terry was in prison, Allana had a daughter taken away from her at birth, due to the family's history. In 2005, Allana applied to go on Jeremy Kyle with Terry, who was by then out of prison.
I met Terry in Milton Keynes, at his neighbour's house. He's slight, self-possessed, accommodating, quite fatalistic. He says that his wife (they're now separated, but not divorced) applied to go on the show because she wanted a night in a hotel, to meet Kyle and to see her cousin, who lived in Manchester. It seems likely, though, that she was also looking for redress after a catalogue of painful events.
Carvell, by the time the couple appeared, was clean of alcohol and most drugs, though he did still smoke weed. They arrived at the hotel, and say the night before was dominated by incendiary phone calls. The morning was spent winding them both up, and then, as filming commenced, came the show's pantomime of righteousness.
"To tell you how bad it was: I haven't spoken to anybody in my family for about the last 15 years, but even my family members who saw the programme wrote letters complaining about how badly he'd treated me, and that half of what he said was untrue," Carvell says. "We'd been recording for about 20 minutes or so and he said, 'Stand up, big man.' Well, I don't take crap from anybody. So I just looked at him. He got his microphone and he rammed it up under my chin. He was trying to provoke a reaction, and I just stood there. And he said, 'Just for one moment, you wanted to hit me, didn't you?'"
Aftercare amounted to a short debrief with Graham Stanier, the show's psychologist. (Terry already knew him: "It was a twist of fate, he used to be a psychologist at the detention centre I was at. Graham himself is a brilliant bloke.") They were offered counselling afterwards – three couples' sessions and three sessions of anger management for Terry alone. However, he says it was in Merseyside, 70 miles away from Blackpool, where they were living. "To be honest, I don't even know why they bothered saying it. Because there's no point offering assistance if it's going to cost you more than you've got."
So Terry and Allana returned home, the problems in their marriage unresolved by Kyle's therapeutic capers. Shortly after the show aired, Terry moved out. "I got my own flat in a different part of town. Mainly, it was about getting away from Allana." But also, Terry had perceived a hostile atmosphere on their housing estate, since the show had aired. "The area they moved me to was 90% alcoholics and drug addicts. They probably wouldn't even recognise themselves if they saw themselves on Jeremy Kyle, let alone anybody else. So I did feel a bit safer there."
Nevertheless, he decided to leave Blackpool and make a new life in North Wales. He says Allana, hearing about his plans, went with him, but left a note in her own flat for the police, saying he'd kidnapped her. It's true I have only his side of this story. But they were hitchhiking. His defence, that it's impossible to kidnap someone and hitchhike at the same time, seems quite convincing.
"We'd been in North Wales about four days when we saw all these police cars," he says. "I don't know what it was, sixth sense or something, maybe it was because there was so many of them. They always turn up heavy-handed for me because of my firearms history... Anyway, I don't know why, but I knew they were for me."
He says he was arrested and charged with kidnapping; the situation was resolved by the witness statement of a Christian DJ who'd given the couple a lift five days before. So Terry was released and they both – the relationship was quite resilient – moved to Scotland, together, whereupon they split again. Allana moved back to England and Terry lived in a tent for 18 months.
Does he think he would have ended up in a tent without the Jeremy Kyle show? "Yes. Most probably. Let's just say we had more chance of sorting our marriage out before we went on Jeremy Kyle. But I'm better off without her."

Ronnie Wood: Second life

There's the young girlfriend, the Hoxton flat, the new veneers, the radio show... At 63, Ronnie Wood is starting again
Ronnie Wood
'I'm lucky to be alive because a lot of them have dropped by the wayside.' Photograph: Kate Peters for the Guardian
If there's one thing more surprising than Rolling Stone Keith Richardssurviving into his 60s, it's that his bandmate Ronnie Wood has done so, too. After all, this is a man so debauched, so obliterated by drink and drugs, and such an all-round pain in the arse that Richards put a gun to his head and threatened to kill him. And that was before things got really bad. Three years ago the Stones guitarist walked out on his wife Jo, who appeared to be the one stabilising influence in his life, and moved in with a teenage girl, and the drink, the drugs, the mood swings all got worse. Many feared the worst.
Yet today he is 15 months clean, has a sensible girlfriend (still young enough to be his grand-daughter, of course), has released a fine solo album and been nominated as radio personality of the year and best newcomer. What went right?
We're at the studio in central London where he records his weekly radio show for Absolute Classic Rock. He's reminiscing about the 60s when great guitarists were 10 a penny. Who was the best – Page, Clapton, Beck, Hendrix? "Jimi [Hendrix] cos he broke all the rules and was such a natural. But Eric was my mainstay because I was a big fan of him with the Yardbirds and I used to share the same girlfriend with him. I got my first wife Krissy from him. We'd always rib each other, 'Oi, take your hands off my bird.'" Didn't they also both have a relationship with Pattie Boyd? "Yeah. Amazing, the camaraderie. And the girls. There was another girl in Los Angeles called Cathy. I thought she was my girlfriend but I found out after she was seeing just about every other guitar player on the circuit."
At the same time? "Yeah. When I was out of town she'd move on to the next one. But in those days it was a kind of unwritten rule, what's mine is yours." And nobody got upset? "No, nobody looked too far into it." He pauses. "Well, some people looked a bit deeper than they should have done and probably got upset."
Wood has one of the most extensive CVs in rock. He played bass in the Jeff Beck group, guitar in the Faces and the Stones (he might have missed out on the golden age, but has still done 36 years with them), hung out with Hendrix, was chased by Janis Joplin, helped Clapton out of his drug haze and collaborated with everybody from Dylan to Aretha toBo Diddley. His face is a map of dissolution – cheeks like quarries, deep grooves running from nose to mouth – but he has the same black hair (now flecked with tiny bits of silver) in the same feather cut he's always had. At times he bears a disarming resemblance to Dot Cotton; at others, his energy, enthusiasm and boyish figure make him seem more like a teenager. Today he's wearing skinny girl's jeans (28-inch waist), a leopard-skin top, dinky little waistcoat and black cashmere coat. Ronnie Wood is 63 years old.
Ronnie Wood Mick JaggerWith Mick Jagger in 1975. Photograph: Getty Images
We're on the roof garden of the studio and Wood is taking one of his many fag breaks. (Actually, it would be more accurate to talk of non-fag breaks.) His beautiful Brazilian girlfriend Ana Araujo is in her early 30s. "Can I 'ave a cigarette, baby?" she whispers to him. She seems sweet, shy and devoted, talking about how she'd like a baby in her late 30s, how both she and Wood are Gemini and have "double balance".
As Wood has his photo taken, I'm staring at his teeth. How come they are so white? "I had them done a few years ago; they trimmed the actual teeth down a bit and put these veneers on top." By rights they should be nicotine-stained and smack-ravaged? He grins. "Yeah, I said I want the veneer to be white and they said, 'Oh, it's not Ronnie Wood to have bloody Hollywood teeth. So we got a built-in stain." He gives me a guided tour of his gob. "A couple of these have fallen out. I got the superglue out. Luckily, last time this one fell out Ana had some glue in her cupboard." She glued them back in with superglue?
"I don't think we want to talk about that in the article," his manager Sherry Daly says.
"Nah, it was dental glue," Wood says. "Keith did it with superglue once. It's a good stand-by."
What about those concave cheeks – are they natural or drug-induced? "I got them from sebaceous cysts while using heroin." He's grinning again. "Amazing the poisons I used to put in my body. I used to love it." His lean figure is, he says, from "drugs, drink, malnutrition. In the States we went past a store in the old days and it said 'discount food' and me and my mate both went, 'Yeah, discount food all together.'"
Why, was there no time? "No time and no inclination, really. I used to have a big breakfast, then sail through the rest of the day. The hole that the drink didn't fill, the cigarettes would." He looks back on those years with pleasure and exhaustion.
"With the youth we could take on anything and conquer it." Sometimes, he says, he still feels like that, but then he remembers the dodgy ankle or ropey shoulder. It's incredible how well he looks, all things considered. He nods. "I'm lucky to be alive because a lot of them have dropped by the wayside, even young people – my kids' friends are dying because they don't know where to stop. And there's a lot of bad drugs around, lots of depression and lots of misuse of alcohol."
People are taking worse drugs now? "Yeah, I think they were purer in our day. And also, it ran in my family to have such resistance to alcohol because my mum and dad, grandparents, brothers, they were on the barges and reared on alcohol." His parents, he has said, were the first generation in his family to live on land. His dad played piano and harmonica, busked and entertained in the music halls. "At my first wedding, Keith [Richards] told me, 'Your dad's got more talent in his little finger than you'll ever have' and I went, 'That's a compliment, even though you're trying to put me down, Keith, because you love my dad.' Archie. Good old Archie…"
While he credits his ox-like constitution to his Gypsy background, drink was partly responsible for prematurely seeing off his two brothers. "Lots of the family lived to a ripe old age, but my brothers went in their 60s. My brother Ted was my age when he went and I don't feel like going. But Ted had given up the will to be ambitious. I'd say, 'Come on, Ted'…" He trails off.
We're back in the studio, the show now finished. Wood has been DJ-ing for only a year, but he is extraordinarily good – relaxed, funny, with a fund of outrageous stories. It's quickly apparent how much he loves the music – he closes his eyes tight, clicks his fingers, dances along, talks over the songs in a rush of giddy enthusiasm. He says he wishes his family could be here to see him. "I think my parents and brothers would have been so proud to see me sober and getting my life back together."
He was 14 when he started drinking heavily – brandy and whisky. In the 70s he drank himself silly because, despite his apparent insouciance, he says he felt insecure in the Faces. At the end of the 70s he started freebasing cocaine – an early form of crack. And, as he says in his autobiography, that was him done for the next five years. It was during this period that Richards threatened to blow his brains out. "When hethinks you're out of control, you think, Christ, there must be something wrong."
In 1985, he married his second wife, Jo, and though she was a moderating influence, he still drank. Until 2003, he claimed he had never played a gig sober. In 2008, he left Jo for Russian model Ekaterina Ivanova. The collapse of his marriage could not have been more public or dramatic. Two days after his daughter Leah's wedding, he ran away with Ekaterina, or Katia as she's also known. His four children were devastated. The 18 months that followed made the previous 50 seem positively abstemious. In December 2009, he was arrested after witnesses alleged he had tried to throttle Katia during a drunken row in the street. Although she didn't press charges, that was the end of their relationship. A few weeks later, he was in rehab for the eighth and, he hopes, final time.
The day before he went into the Priory, Sherry, who has worked with him for 30 years, told him she couldn't cope any more. "I saw her in tears and she said, 'I can't work with you.'" It was an ultimatum?
"No, I made an intervention," she says.
"She gave me love and a tear. [Faces drummer] Kenney Jones was there as well and he said, 'Ronnie, I agree with Sherry' and I thought, 'Fuckin' hell, I must be doing something wrong to affect people like this.' They were in tears."
Many didn't expect him to stick it out. "Lots of people went, 'Oh, give him a couple of weeks and he'll be back on it.' There were a lot of doubting Thomases, and there was something inside me that thought, 'I've got to do this and prove them wrong.'"
Is it true he was "kidnapped" by snooker player Ronnie O'Sullivan and artist Damien Hirst? Yes, he says, sort of, but they did ask him first. "They went, 'Ronnie, d'you want us to come over and help you?' And I went, 'Pleeeeease' cos I couldn't stand myself, I'd just have more and more and more. A bit like I am with the cigarettes now."
If he wasn't in a bar, he'd be drinking alone at home. "I was even worse on my own, because I wouldn't have to face me."
Since he got clean, Wood has enjoyed a sustained creative splurge – painting (he once sold a work for $1m, and says he could make more from his art now than the Stones), a new album and the radio show. Wood is particularly pleased with the solo album, I Feel Like Playing. Over the decades he has released seven albums and written many songs (notably with Rod Stewart on the singer's massive 1972 albumNever A Dull Moment, and the title track to the Faces album Ooh La La!). Even so, until now, he has been regarded as a wannabe – the Stones rarely record his songs, and he has said the Jagger/Richards songwriting partnership feels like a bit of a closed shop. But the recent album is a real breakthrough – his voice is more mature and controlled, and there are a few really great songs. Why You Wanna Go And Do A Thing Like That, co-written with Kris Kristofferson, has the makings of a classic. "Even Rod came down to some of the sessions in LA and said, 'Ron, you are now crowned a proper vocalist.' He said, 'I can't believe your improvement.' And Bobby Womack said, 'Ronnie, you're choosing the keys for your songs, you're experimenting' – cos I used to be like a bull in a china shop, I've got an idea and I'm going to sing it: waaaahhhhh!"
Ronnie Wood Rod StewartWith Rod Stewart in 1973. Photograph: Rex
Is the album autobiographical? Of course, he says – what isn't? "A lot of the songs are about the relationship I was in at the time. With Katia. I was leaving home, and walking out of my marriage with Jo. It was something I had to do. I don't know what drove me to it, but I had to do it." He shows me a silver leaf round his neck. "Eric Clapton gave me this freedom leaf. And that's what I wanted, what I felt: I've got to be free of the ties I've got at the moment." Strangely, his daughter Leah also gave him a freedom leaf: "Even though she didn't actually know what was going down at the time. I gave her away, and two days later I was gone."
I had assumed the album looked back with some regret at the relationship with Katia. "No, it was about me having the choice and freedom to be me. Kat would say, 'Why d'you want to go and do a thing like that for, you know, leave home?' And I'm going, 'Yes, it is ridiculous, but let's write a song about it,' so I did."
In a way, he says, he had to completely lose it before recovering his sanity. Many people expected him to run back to Jo and beg forgiveness. Did he? "No, I didn't. A lot of people were going, 'You've fucked up, you've made the worst move of your life', but I was thinking, 'There's something here I've got to discover, and that something is me.' And that was very exciting because I'm much crazier and much more creative when I'm sober."
He admits there's been plenty of pain. His relationship with his children broke down; they were furious with him when he walked out. "I've had my differences with them," he admits with rare understatement. But they've forgiven him now? "Yeah. I used to worry, 'I've lost my family.' They hated my for a while, but they're very resilient. The oldest is 36, the youngest is 28. So they're all grown and they've seen me come through and now they say, 'OK Dad, we love you, we're on your side.'"
After moving out of the Esher home he shared with Jo, Wood went to live in Surrey with Katia. Now he lives alone in a Hoxton studio. He and Jo have split everything down the middle and will continue to do so, he says.
Wood has famously lost tens of millions of pounds over the years – on wine and women, being a useless businessman and just not caring. Now he's convinced those days are over. "Looking at the bills on tour when I was using, I'd have the top wines – I should have been a sommelier because I'm a wine expert and I go from the gutter to the throne in my taste in alcohol." What's the most he'd spend on a bottle? "A thousand pounds… it didn't matter." Has he ever tried to work out how much he's spent on drink and drugs? "No, I haven't, because it's bottomless and it's pointless to go, 'Agh.' It would make me laugh, actually. What, £20m?"
Now, he says, he's so alert to everything, and has so many projects on the go, he doesn't know how to squeeze everything in. What about the Stones? "They're evolving, all doing their own stuff. Charlie's got his jazz band, he's doing his solo stuff, Keith is contemplating his navel and playing with different people and reading, Mick is doing shit, but we want to work together again. When that comes, I don't know."
For the first 17 years of his Stones life he was just a hired hand. Did it make him insecure? "I just looked at it like I was doing my apprenticeship, even though I might have been 50 years old. I was learning, but I was teaching as well: how to let go and enjoy life." He also performed another valuable function – as a glue in the combustible relationship between Jagger and Richards. "During the Dirty Work days, that was a really bad time, I got them through that. I'd be like, 'You stay near the phone, I'm going to get him on the phone and I'll ring you back.'"
Does it feel different now he's a fully fledged member of the band? "That's right, now they listen to me before they make a decision. In the old days, me and Sherry used to say, 'The meek shall inherit the earth, if it's all right with everyone else', but now it's not like that."
Ana walks into the room. He is delighted to see her and gives her a playful slap on the thigh. You seem happy together, I say. "She's part of my adventure and I'm part of hers, cos she gave up… she used to drink a glass of wine and enjoy it, but she said, 'If you need the support, I won't do it' and she hasn't weakened, which I think is very admirable." Is she making him more sensible? "No, but it is nice to be with somebody who isn't like, 'Come on, let's go and get wrecked.' I can go into bars and parties, and I used to feel, 'Euch, I'm really missing out here' but now I don't feel I am – been there, done it."
Despite being divorced from Jo, he is still wearing their wedding ring. "I wear it on my right hand now. She saw it a couple of weeks ago and said, 'You've still got your wedding ring' and I said, 'Yeah, because you're my old mate and you always will be' and she said, 'Yeah, you're my best friend and you always will be.'"
Ronnie Wood Ana AraujoWith new girlfriend Ana Araujo. "It it is nice to be with somebody who isn't like, 'Come on, let's go and get wrecked." Photograph: Rex
It's early evening, and he's hungry – another change – so we leave the studio. He's arm in arm with Ana, still puffing away on a fag. He's just made a jingle asking listeners to vote for him in the radio awards. He'd love to win, and thinks it's amazing that he's been nominated. It makes him laugh that, at 63, he's up for best newcomer, but at the same time he thinks there's something weirdly apposite about it. After all, he says, he is just starting out.
• Ronnie Wood is nominated for Music Radio Personality Of The Year and the Sony DAB Rising Star Award at the 2011 Sony Radio Academy Awards. For more information and to cast your vote, go torisingstar.sony.co.uk.